• Things I Can't Explain. Mitchell Kriegman

     

    Things I Can't Explain

     


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    ISBN: 9781250046543 | 288 pages | 8 Mb
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    • Things I Can't Explain
    • Mitchell Kriegman
    • Page: 288
    • Format: pdf, ePub, fb2, mobi
    • ISBN: 9781250046543
    • Publisher: St. Martin's Press

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    A complete re-imagining of the 1990s television hit Clarissa Explains it All as 20-something Clarissa tries to navigate the unemployment line, mompreneurs and the collision of two people in love. She was a smart, snappy, light-hearted girl who knew it all at fourteen and let television audiences everywhere know it. Now a woman in her late twenties, her searching blue eyes are more serious, but mostly amused by the people around her. The gap-toothed smile that made her seem younger than she really was is gone, but she still lightens up the room. Her unpredictable wardrobe rocks just like when she was a kid, but her fashion sense has evolved and it makes men and women turn their heads. After leaving high school early, Clarissa interned at the Daily Post while attending night school. At the ripe old age of twenty- two she had it made - her own journalism beat (fashion, gender politics and crime), an affordable apartment in FiDi and a livable wage. She was so totally ahead of the game. Ah, those were the days! All three of them. Remember the Stock Market Crash of 08? Remember when people actually bought newspapers? All of Clarissa's charming obsessions, charts, graphs, and superstitions have survived into adulthood, but they've evolved into an ever-greater need to claw the world back under control. Her mid-twenties crisis has left her with a whole set of things she can't explain: an ex-boyfriend turned stalker, her parents' divorce, a micro relationship with the cute coffee guy, java addiction, "To-Flue Glue," and then there's Sam. Where's Sam anyway? Things I Can't Explain is about knowing it all in your teens and then feeling like you know nothing in your twenties. It is an entertaining and must-read sequel to all fans of Mitchell Kriegman's Nickelodeon TV show, Clarissa Explains It All.

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    Lyrics and meaning of “Something I Can't Explain” by Nice on Genius. [girls singing] Together we do things that I've never done with anyone else. Like eat ice  I understand things very well but I can't explain it to someone else
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    Things I Can't Explain: A Clarissa Novel. 63 likes · 8 talking about this. Clarissa Marie Darling explained it all at fourteen. Now in her mid-twenties The Scorpions - I Can't Explain Lyrics | MetroLyrics
    But I can't explain. Just hear what I'm saying, baby. I'm dizzy in the head. And I'm feeling bad. Things you say got me real mad. Getting funny dreams again and 



     

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    [PDF/Kindle] Doce cuentos peregrinos (Strange Pilgrims: 12 Stories) by Gabriel García Márquez, Gabriel Garca Mrquez


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  • Activity-Based Teaching in the Art Museum: Movement, Embodiment, Emotion. Elliott Kai-Kee, Lissa Latina, Lilit Sadoyan

     

    Activity-Based Teaching in the Art Museum: Movement, Embodiment, Emotion

     


    Activity-Based-Teaching-in.pdf
    ISBN: 9781606066171 | 184 pages | 5 Mb
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    • Activity-Based Teaching in the Art Museum: Movement, Embodiment, Emotion
    • Elliott Kai-Kee, Lissa Latina, Lilit Sadoyan
    • Page: 184
    • Format: pdf, ePub, fb2, mobi
    • ISBN: 9781606066171
    • Publisher: Getty Publications

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    This groundbreaking book explores why and how to encourage physical and sensory engagement with works of art.   An essential resource for museum professionals, teachers, and students, the award winning Teaching in the Art Museum (Getty Publications, 2011) set a new standard in the field of gallery education. This follow-up book blends theory and practice to help educators—from teachers and docents to curators and parents—create meaningful interpretive activities for children and adults.   Written by a team of veteran museum educators, Activity-Based Teaching in the Art Museum offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their innovative methodology. The volume is replete with sidebars describing activities facilitated with museum visitors of all ages. Table of Contents Introduction   Part I History   1 The Modern History of Presence and Meaning A philosophical shift from a language-based understanding of the world to direct, physical interaction with it.   2 A New Age in Museum Education: The 1960s and 1970s A brief history of some of the innovative museum education programs developed in the United States in the late 1960s and 1970s. The sudden and widespread adoption of nondiscursive gallery activities during this period, especially but not exclusively in programs designed for younger students and school groups, expressed the spirit of the times.   Part II Theory   3 Starts and Stops Two attempts by American museum educators to articulate a theory for their new, nondiscursive programs: the first deriving from the early work of Project Zero, the Harvard Graduate School of Education program founded by the philosopher Nelson Goodman to study arts learning as a cognitive activity; the second stemming from the work of Viola Spolin, the acclaimed theater educator and coach whose teaching methods, embodied in a series of “theater games,” were detailed in her well-known book Improvisation for the Theater (1963).   4 A Theory of Play in the Museum A theory of play that posits activities in the museum as forms of play that take place in spaces (or “playgrounds”) temporarily designated as such by educators and their adult visitors or students. Play is defined essentially as movement—both physical and imaginary (metaphorical)—toward and away from, around, and inside and outside the works of art that are foregrounded within those spaces. Gallery activities conceived in this way respond to the possibilities that the objects themselves offer for the visitor to explore and engage with them. The particular movements characterizing an activity are crucially conditioned by the object in question; they constitute a process of discovery and learning conceptually distinct from, but supportive of, traditional dialogue-based modes of museum education, which they supplement rather than supplant.   Part III Aspects of Play   5 Embodiment, Affordances The idea of embodiment adopted here recognizes that both mind and body are joined in their interactions with things. Investigating works of art thus involves apprehending them physically as well as intellectually—in the sense of responding to the ways in which a particular work allows and even solicits the viewer’s physical grasp of it.   6 Skills Ways in which objects present themselves to us, as viewers, and what we might do in response as they fit with the bodily skills we have developed over the course of our lives. Such skills might be as simple as getting dressed, washing, or eating; or as specialized as doing one’s hair, dancing, playing an instrument, or acting—all of which may allow us to “grasp” and even feel that we inhabit particular works of art.   7 Movement Embodied looking is always looking from somewhere. We apprehend objects as we physically move around and in front of them; they reveal themselves differently as we approach them from different viewpoints. Viewers orient themselves spatially to both the surfaces of objects and to the things and spaces depicte4d in or suggested by representational works of art. Activity-based teaching gets visitors and students to move among the objects—away from them, close to them, and even into them.   8 The Senses Both adult visitors and younger students come to the museum expecting to use their eyes, yet “visual” art appeals to several of the senses at once, though rarely to the same degree. Sculpture, for example, almost always appeals to touch (whether or not that is actually possible or allowed) as well as sight. A painting depicting a scene in which people appear to be talking may induce viewers to not only look but also “listen” to what the figures might be saying.   9 Drawing in the Museum Looking at art with a pencil in hand amplifies viewers’ ability to imaginatively touch and feel their way across and around an artwork. Contour drawing by its nature requires participants to imagine that they are touching the contours of an object beneath the tips of their pencils. Other types of drawing allow viewers to feel their way around objects through observation and movement.   10 Emotion Visitors’ emotional responses to art represent a complex process with many components, from physiological to cognitive, and a particular work of art may elicit a wide range of emotional reactions. This chapter describes specific ways in which museum educators can go well beyond merely asking visitors how a work of art makes them feel.   11 Empathy and Intersubjectivity One aspect of viewers’ emotional responses to art that is often taken for granted, if not neglected altogether: the empathetic connections that human beings make to images of other people. This chapter advocates an approach that prompts viewers to physically engage with the representations of people they see.   12 Mindful Looking Mindfulness involves awareness and attention, both as a conscious practice and as an attitude that gallery teachers can encourage in museum visitors. This is not solely a matter of cultivating the mind, however; it is also a matter of cultivating the body, since mindfulness is only possible when mind and body are in a state of harmonious, relaxed attentiveness. Mindfulness practice in the art museum actively directs the viewer’s focus on the object itself and insists on returning to it over and over; yet it also balances activity with conscious stillness.   Afterword   Acknowledgments      

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  • Gardiens des cités perdues Tome 7 pan Shannon Messenger

    Meilleurs livres à lire en téléchargement gratuit Gardiens des cités perdues Tome 7 par Shannon Messenger (Litterature Francaise) RTF CHM FB2

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    • Gardiens des cités perdues Tome 7
    • Shannon Messenger
    • Nb. de pages: 601
    • Format: Pdf, ePub, MOBI, FB2
    • ISBN: 9782371021907
    • Editeur: Lumen
    • Date de parution: 2018

     

     

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    Meilleurs livres à lire en téléchargement gratuit Gardiens des cités perdues Tome 7 par Shannon Messenger (Litterature Francaise) RTF CHM FB2

     

    Overview

    Vous rêvez de visiter l'ATlantide ou la mythique cité de Shangri-La ? Suivez le guide ! Sophie Foster ne sais plus qui - ou même quoi - croire. Dans un conflit où les forces en présence sont si nombreuses, la pire erreur serait de se tromper d'ennemi. Mais quand les Invisibles démontrent sans doute possible que la jeune fille est bien plus vulnérable qu'elle ne se l'était jamais imaginé, elle comprend qu'il est temps de changer de tactique.
    Ses pouvoirs, même immenses, ne peuvent la protéger que jusqu'à un certain point. Pour affronter des adversaires dénués du moindre scrupule, elle doit apprendre à se battre... Malheureusement, tous les entraînements au combat du monde ne peuvent rien pour alléger le fardeau d'un ami cher qui affronte un danger bien plus grand encore... La seule solution ? Prendre un risque encore plus grand que ceux que Sophie et ses camarades n'en ont jamais couru.
    Mais c'est peut-être précisément ce qu'attendait l'ennemi depuis le début ! Il est temps de laisser se brouiller les frontières entre le passé et le présent ! Le septième tome de Gardiens des Cités perdues, Réminiscences, s'annonce inoubliable. Sophie Shannon Messenger, dont la réputation n'est plus à faire, fait sortir de l'ombre, avec un délice évident, les secrets les plus inquiétants du monde des elfes...

     

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  • La vie des abeilles pan Maurice Maeterlinck

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    • La vie des abeilles
    • Maurice Maeterlinck
    • Nb. de pages: 187
    • Format: Pdf, ePub, MOBI, FB2
    • ISBN: 9782980691058
    • Editeur: TRANSATLANTIQUES (EDITIONS)
    • Date de parution: 2002

     

     

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    Overview

    Il s'agit du plus célèbre livre de Maurice Maeterlinck. Cet ouvrage fait encore autorité, car le plus documenté sur la vie des abeilles, est fort recherché de nos jours... Écoutons-le : " Et puis, arrivé à un certain point de la vie, on ressent plus de joie à dire des choses vraies que des choses frappantes. Il convient ici, comme en toute circonstance, de se tenir à ce principe que si la vérité toute nue paraît sur le moment moins grande, moins noble ou moins intéressante que l'ornement imaginaire qu'on lui pourrait donner, la faute en est à nous qui ne savons par encore distinguer le rapport toujours étonnant qu'elle doit avoir à notre être encore ignoré et aux lois de l'univers, et, dans ce cas, ce n'est pas la vérité qui a besoin d'être agrandie et ennoblie, mais notre intelligence. "

     

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  • Une odeur de soufre pan Diana Gabaldon

    E-books téléchargement gratuit italiano Une odeur de soufre 9782290174654

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    • Une odeur de soufre
    • Diana Gabaldon
    • Nb. de pages: 411
    • Format: Pdf, ePub, MOBI, FB2
    • ISBN: 9782290174654
    • Editeur: J'ai lu
    • Date de parution: 2020

     

     

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    Overview

    Alors qu'il jure de venger un séduisant diplomate qui vient d'être assassiné sous ses yeux, lord John Grey pousse la porte du mystérieux club Hellre et se retrouve aux prises avec des membres influents du gouvernement. Affecté ensuite en Prusse en tant qu'agent de liaison, le jeune homme devra jongler entre deux menaces : l'avancée des troupes franco-autrichiennes et une étrange créature de la nuit, qui sème la terreur et la mort parmi les soldats.
    Enfin, de retour à Londres, lord John est convoqué devant une commission royale chargée d'enquêter sur l'explosion d'un canon et une possible négligence de sa part. S'il souhaite blanchir sa réputation, il lui faudra affronter ses propres démons... Avec ces trois nouvelles inédites au parfum de surnaturel, Diana Gabaldon redonne vie avec talent à l'Angleterre du XVIIIe siècle.

     

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